Body of Lies (2008)

Director: Ridley Scott

Cast: Leonardo DiCaprio as Roger Ferris, Russell Crowe as Ed Hoffman, Mark Strong as Hani, Golshifteh Farahani as Aisha, Oscar Isaac as Bassam, Ali Suliman as Omar Sadiki, Alon Aboutboul as Al-Saleem, Vince Colosimo as Skip, Simon McBurney as Garland, Mehdi Nebbou as Nizar, Michael Gaston as Holiday, Kais Nashif as Mustafa Karami, Jamil Khoury as Marwan (as Jameel Khoury), Lubna Azabal as Aisha's Sister Cala, Ghali Benlafkih as Aisha's Nephew Rowley

Ridley Scott has always been very consistent in my mind as a filmmaker.
He has occasional flashes of genius (Alien, Gladiator), but always
seems to make steady, good, interesting, and watchable films. The same
applies here with Body of Lies. While the film will not be this year's
major awards contender, Body of Lies is among the better films by
Scott, somewhere between American Gangster and Black Hawk Down.

One thing Scott always manages to do in his films is ground the film in
reality very well, setting a mood that allows us to get into the film
easier. While it has its dark moments, I wouldn't consider this a
supremely dark or depressing picture, despite the subject matter. In
Body of Lies, his take on the War on Terror in the Middle East is
gripping and realistic (especially the sets), though not as thrilling
as it should be. Though put in danger many times throughout the film, I
didn't find myself on the edge of my seat whenever those moments rolled
around.

As we already know, the film features two of the most dynamic and
talented actors working today in Leonardo DiCaprio and Russell Crowe.
Here, Scott gives his usual tag team partner Crowe a break to let
DiCaprio take the reigns. Leo has long been one of my favorite actors
for his ability to bring intensity and grit to every role he plays
(outside of Titanic and Gilbert Grape, of course), making real and
believable characters time in and time out. Again, DiCaprio steals the
show and makes the movie watchable, as he's in almost every scene in
one way or another. Without his commanding and charismatic presence,
the film would sink. He delivers yet another winner of a show,
showcasing his ability to grow into even more adult roles as he grows
older. His role in the film is strikingly similar to his position in
his career. He's in between young heroic roles and adult authoritative
roles, which is what his Roger Ferris is: a young CIA agent dealing
with new found authority and choices.

Though on paper, Russell Crowe's role is pretty weak, he manages to
turn in a great performance through an altered appearance and voice.
Once again, Crowe's character symbolizes who he is as a person: a
shaken soda bottle one twist from exploding. It is because our two
leads (I feel weird saying that, as DiCaprio is the only true lead)
work so well together and hold our attention so well that the film
succeeds. An able supporting cast adds to the film as well.

Technically well made, just like every other Scott films, Body of Lies
brings nothing new to the table while taking things we've seen before
and one-upping the last to do it. The sound in particular was a plus
for me, as was the art direction (like I've said, these are always good
things in a Ridley Scott film). The preview can be a bit deceiving in
marketing the film as an action political thriller, like Blood Diamond,
when in reality it is the thinking man's thriller without that plot
twist I thought would be coming. While the film does have some
marvelous and well done action, it's few and far between, as the film
is more about gathering intelligence than intelligently blowing
everything up.

I also appreciate that the film rarely dragged or got boring, and I
credit this to yet another winning script from William Monahan, scribe
of The Departed. I think another Oscar nomination for Monahan is
possible here. All in all, Body of Lies is a well made film that would
be nothing special (again, the lack of thrills in some parts) if not
for the commanding presence of Leonardo DiCaprio and the always
consistent Ridley Scott. It's not worth losing your head over, but it
is worth giving the price of admission to your local theater.