Constantine (2005)


Constantine (2005)

Constantine (2005)

Constantine (2005)

Constantine (2005)

Constantine (2005)

Constantine (2005)

Constantine (2005)

Constantine (2005)

Constantine (2005)


Director: Francis Lawrence


Cast: Keanu Reeves as John Constantine, Rachel Weisz as Angela Dodson / Isabel Dodson, Shia LaBeouf as Chas Kramer, Djimon Hounsou as Midnite, Max Baker as Beeman, Pruitt Taylor Vince as Father Hennessy, Gavin Rossdale as Balthazar, Tilda Swinton as Gabriel, Peter Stormare as Satan, Jesse Ramirez as Scavenger, José Zúñiga as Detective Weiss (as Jose Zuniga), Francis Guinan as Father Garret, Larry Cedar as Vermin Man, April Grace as Dr. Leslie Archer, Suzanne Whang as Mother



I've seen Constantine three times and I enjoy it more each time I watch
it! It is truly well-done and extremely entertaining, and I can
guarantee that if you like horror, suspense and/or fantasy you will
love this movie! Keanu Reeves plays a very cool Constantine, who is a
modern-day exorcist but most certainly not to be confused with a
priest, as he has his issues and a burden of sins from his past that he
carries with him. Constantine is a very realistic and human hero who is
devoid of superpowers but has all the cool gadgets and the kick-ass
attitude needed to survive in a world slowly being invaded by demons
and scheming angels. He meets Angela (Rachel Wiesz) after she loses her
sister, Isabel to the forces of evil. She comes to Constantine in
search of an answer on where Isabel has ended up following her apparent
suicide. Constantine journeys to other realms/dimensions in an attempt
to get those answers, even paying a couple of visits to hell. Needless
to say, with such a plot the special effects, acting, sets, script and
even wardrobe have to be carefully conceived and executed to make it
believable, and they are... in spades.

Constantine achieves what all great movies always do: it takes you into
another world that makes you forget everything about your own world the
whole time you are watching it. And really, in the end, isn't that what
great cinema is all about?

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